Kamis, 24 Mei 2012

Free PDF We Don't Need Another Hero: Struggle, Hope, and Possibility in the Age of High-Stakes Schooling, by Gregory Michie

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We Don't Need Another Hero: Struggle, Hope, and Possibility in the Age of High-Stakes Schooling, by Gregory Michie

We Don't Need Another Hero: Struggle, Hope, and Possibility in the Age of High-Stakes Schooling, by Gregory Michie


We Don't Need Another Hero: Struggle, Hope, and Possibility in the Age of High-Stakes Schooling, by Gregory Michie


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We Don't Need Another Hero: Struggle, Hope, and Possibility in the Age of High-Stakes Schooling, by Gregory Michie

Review

“An accessible, deeply-engaging, and at times humorous text that illustrates the realities of teaching and learning in today’s urban schools.” ―TC Record“There is no writer working today who captures the excruciating complexity of a life in teaching with as much grace and clarity as Gregory Michie.” ―William Ayers, educator and bestselling author“Greg Michie is right: We don’t need another hero. The heroes are already there: They are our students, as well as the teachers and administrators who have a passion for justice. Those are the voices we must heed.” \―From the Foreword by Sonia Nieto, professor emerita, University of Massachusetts, Amherst“Gregory Michie’s experiences in the classroom and his purview as a teacher educator make this a good peek into the thoughts of a man willing to challenge the current notions of education reform. Rather than sit in frustration over the current tenor surrounding these so-called reforms, Michie seeks meaningful progress and solutions.” – Jose Luis Vilson, NYC public school lead teacher and writer at TheJoseVilson.com“ We Don't Need Another Hero is a big book about the small, valorous, transforming acts of teaching. For Michie, teaching is a potentially world-changing act, but on a small scale, through the acts of caring, learning, and reflecting with others on the implications of our work and its simple yet profound core. In these essays, the teacher is at the center of the democratic project." ―Kirsten Olson, founding board member of IDEA (Institute of Democratic Education in America) and bestselling author of Wounded by School

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From the Author

Gregory Michie is a public school teacher in Chicago, and senior research associate at the Center for Policy Studies and Social Justice at Concordia University, Chicago. He is the bestselling author of Holler If You Hear Me, Second Edition, and See You When We Get There

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Product details

Paperback: 168 pages

Publisher: Teachers College Press (October 19, 2012)

Language: English

ISBN-10: 0807753505

ISBN-13: 978-0807753507

Product Dimensions:

6.2 x 0.5 x 8.8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#789,146 in Books (See Top 100 in Books)

The missionary zeal, born of the "White Man's Burden", seems to have returned home to roost right in our own major cities. Highly educated, generally quite well off, often (although not always) well-intentioned white people have decided that inner city children shouldn't be left to founder at "failing" schools. School reform (measured almost exclusively by increases in standardized test scores) "can't wait". Education is, according to these modern missionaries, "the civil rights issue of our time." Fortunately, these missionaries know just what to do. They think.Like foreign missionaries, these bright-eyed young urban missionaries overlook the role of their own dominant culture in creating the "need" for their help in the first place. Elephant-in-the-room issues like race, class and poverty get swept aside as mere "excuses". What's needed are higher expectations, more "rigorous" demands, and greater "accountability".I suspect, although I admit I don't know, that Gregory Michie was originally one of those starry-eyed, rather blind missionaries. As a young, white, professional male, he took advantage of a truncated career change education program which places proven professionals into urban classrooms without going through a complete, accredited teacher certification program. The theory behind most such programs is that people with proven management and other professional skills can bring their experience in to transform urban education, often along business model lines. Unfortunately, it doesn't always work out as planned, as many of these transplants realize that teaching in an urban environment is a bit more complicated than balancing spreadsheets and many don't stay in the classroom for long.As I indicated, I don't know Gregory Michie's motivations for getting into urban education. But it turned out that he was one of the good guys. He realized that perhaps things aren't so simple as they seem. He appreciated the disconnect between his affluent white male privilege and the disadvantage his predominantly poor and minority students came from. He was willing to not only acknowledge, but also explore and confront issues of race, class and prejudice, including listening to his students and allowing himself to learn from them, even about his own biases and blind spots. It takes a great deal of strength and security to be that vulnerable, but it has paid dividends in terms of Michie's deep understanding of the educational needs of urban kids and the disconnect with the methods more and more being used to "educate" them - the "pedagogy of poverty" as Michie quotes Martin Haberman.There is a distinct and growing divide between how children of the rich and elite are educated vs. children of the poor (middle class kids are somewhere in between, but slipping toward the poor end). Barack Obama sends his daughters to Sidwell Friends School, while Chicago mayor Rahm Emanuel sends his kids to the University of Chicago Lab Schools. Both schools keep class sizes small. Direct instruction in reading and math make up only a small part of the curriculum and are integrated across disciplines to connect with science and social studies. Both schools further enrich their curricula with arts, music, languages, electives, P.E. and recess, and both have well-stocked libraries and athletic and arts facilities. The type of education that both Obama and Duncan envision for the rest of the country, however, is increasingly impoverished and stripped down to bare-bones basics. Long blocks of reading and math time focus heavily on drilling for skills and rote memory to be measured by regular standardized tests. Minimal time is left over for arts, physical education or other enrichment. Both Obama and Duncan favor expanded use of charter schools, especially "no excuses" type schools like KIPP which use "drill-to-kill" techniques, and extended, highly structured days with little room for individual expression, exploration or creativity.These "no-excuses" schools are supposed to address the so-called "achievement gap" between whites and minorities by focusing specifically on basic skills and necessary facts. But in fact, in all important ways, educational "reforms" are actually widening the gap because poor and minority kids are increasingly denied opportunities to be connected to and involved with meaningful and relevant learning experiences. Research has repeatedly shown that humans - especially children - simply cannot learn large bodies of facts or skills in isolation from experience. Yet educational policy leaders continue to focus on the model of children as empty vessels who need to be filled up with "knowledge". Poor and minority students especially get turned off and demoralized by "educational" experiences which in no way connect to their actual lived experience.The solution, Michie argues, is not to have more affluent whites dictating what urban children should learn, how they should learn it, and how they should be assessed on their learning. The solution is to return control to the local level - individual schools and teachers - and to teach for "social justice". Poor and minority kids don't live in a vacuum. They see injustices and discrimination all around them. Pretending that all is well and that they too can succeed if only they "work hard, be nice" alienates kids (and is, frankly, offensive), especially teenagers who see the reality most clearly. Teaching for social justice acknowledges the real life struggles kids face on a daily basis, explores the history behind them, and encourages kids to develop their own meaningful solutions to correct injustices and overcome challenges. Kids still learn all the basic academic information and skills that they need, they just learn them enfolded in a meaningful, engaging curriculum that invites their participation rather than excluding them from the conversation at all.Throughout the book, Michie gives several examples of how he himself struggled to implement such a vision and how he now encourages his teachers-in-training to view and implement such ideas. He also gives several examples of other teachers, principals and schools which are bucking the standardized trend and "educating against the grain". The key for Michie and the other educators is to view the kids as people rather than data. Building relationships and inspiring true learning are more important than test scores. Ironically, both Obama and Duncan agree with Michie, at least for their own children's education. Too bad they have other ideas for other people's children.The title of the book is a direct refutation of the movie "Waiting for Superman" which celebrated "reformers" such as Michelle Rhee and all the failed notions they have advanced over the past decade or more. It's not about getting a bunch of "highly effective" cloned teachers using identical canned lessons. It's about teachers putting themselves into their teaching and relating to their students on a personal basis. I recommend this book strongly to anyone and everyone, but especially to those who believe that privatized charter schools are preferable to "entrenched" unionized public schools. Don't be fooled by the "for the children" rhetoric. If it were about the children, their voices, along with the voices of those who know them best - their teachers and parents - would be heard, rather than the corporate interests who currently control the debate. If I thought he'd read it, I'd personally send a copy of this book to President Obama.

This is a compelling book about the state of American education. As a former classroom teacher in Chicago Public Schools and a teacher educator, Greg Michie has been on the front lines of the struggle that is happening in schools across our country. He has seen the impact of huge social issues, of bureaucracy and regulation, and of the inspiring work of everyday teachers. Throughout the text, Michie inserts stories of children, families, and teachers that uplift and inspire. It is easy for the reader to feel as though they're right there in the classroom with him. His common sense perspective, that we don't need more regulations or even more heroes, rings true in the stories he tells. He convincingly proposes the idea that we need to support, not attack, the people and relationships of the people that inhabit our schools. His call for a more humanistic approach to education should not fall on deaf ears. Development of creativity and a love of learning are the key targets we should be seeking for our children. While the foreword and cover information present this book as a collection of essays, it's much more than that. This book is a tapestry of vision and hope for the future of schools in America. We Don't Need Another Hero is a must read for anyone who cares about schooling in America.

Excellent book that tells the struggles and victories in urban schools.

Fantastic Book!I think anyone going into teaching should consider reading this!Michie has a lot of helpful advice for teachers who are just starting out and just asmuch for those with experience.

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Rabu, 23 Mei 2012

PDF Download Poppies of Iraq

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Poppies of Iraq

Review

Nominated for YALSA's 2018 Great Graphic Novels for Teens list!Nominated for the Kirkus Prize! "Poignant and powerful... a meditation on the ache and longing for a place you can no longer return."―Boston Globe"Small in size but large in impact, this intimate memoir is a highly relevant and compassionate story of family, community, prejudice, and the struggle to love when the forces of the world push groups apart."―Kirkus, Best Teen Non-fiction of 2017"[Poppies of Iraq's] power lies in the contrast between the matter-of-fact nature of the text and visuals, and the dread and horror of the backdrop... there is also hope to be found here ― the hope that, no matter what befalls a nation, there will always be individuals who can craft something beautiful by virtue of their survival."―Vulture, Best Comics of 2017"The rich effect of Poppies of Iraq... comes from the manner in which the sweet and domestic rests alongside horror."―Los Angeles Review of Books"A plainly stated, emotionally devastating memoir... Throughout this bittersweet book, Findakly and Trondheim interweave the political and personal in a way that mirrors and heightens real life. Poppies of Iraq is about big events as seen through small eyes: there’s a universalness underneath the specificity. Anyone, even with a boring childhood, should find something to relate to here... an unforgettable, devastating, sweet book."―Salon"Wise, touching and wonderfully vivid... Findakly’s memoir covers an extended period in Iraq’s recent history... yet the half century ticks by with amazing ease, its author managing to tell both the story of a (complicated, fearful) nation, and that of one family of exiles coping with a new life in Paris."―Guardian, Graphic Novel of the Month"An Iraqi childhood is cherished, examined, and let go in this tender look at youth amid upheaval... an ode to a lost era, to be sure, but one with its feet planted securely in the present."―Publishers Weekly, Starred Review"[Poppies of Iraq describes] a childhood caught between cultures [and] vividly capture[s] an oppressive regime as seen from a kid's guileless point of view."―Reader's Digest"The personal and political interweave in this sad yet charming memoir... Like snapshots, ­Findakly’s story toggles back and forth in time, depicting memories mixed with historical background and “In Iraq” vignettes about customs in that country."―Library Journal"This absorbing graphic memoir offers an insider’s view of the rapid cultural changes that beset Iraq in the latter half of the 20th century... Short vignettes about her family, school, and local customs are alternately bittersweet, funny, and affecting as a series of military and political coups impact her family’s life in Iraq... A moving, thought-provoking title for all collections."―School Library Journal, Starred Review"Poppies of Iraq is a beautiful portrait of a life lived in cultural translation, its pages filled with humor and a nostalgia made complicated with age."―Bomb Magazine"What is it like to grow up in Iraq? That’s the question at the heart of Poppies of Iraq... a beautifully drawn graphic novel that shows how growing up in Iraq is more complicated than it seems."―Bitch Magazine

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About the Author

Co-writer and colourist Brigitte Findakly was born in Mosul, Iraq, in 1959 and lived there until 1973. Cartoonist Lewis Trondheim was born in Fontainebleau, France in 1964. They have two children and live in the south of France.

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Product details

Hardcover: 120 pages

Publisher: Drawn and Quarterly (September 5, 2017)

Language: English

ISBN-10: 1770462937

ISBN-13: 978-1770462939

Product Dimensions:

6.4 x 0.6 x 8.5 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#470,396 in Books (See Top 100 in Books)

The author is an Iraqi Christian, and the story is of her childhood growing up in Mosul under Saddam's regime and her family's leaving to escape oppression. It's about a time well before the US invasion in 2003, but it's a very poignant look at what the country had to endure a generation before the US toppled Saddam's regime. Having worked in Iraq for four years myself, I loved reading this perspective of a country and a people that I've come to have a deep affection for. For so many people in the West, Iraq just an unknown and scary "over there", but it's still a place where people grow up, live, and love, and works like this are important to help others understand this.

I loved it, couldnt put it down till I finished it. Well written, gives a great insight into the world that Brigitte lived in. I could go on and on, but I would recommend that people read the book for themselves

Deepy personal and heartfelt, of middle class life in Iraq outside usual media stories of this country ---loved her addition of family photos. my favorite graphic novel of 2017. Well worth Angouleme prize.

nice art style though it got old quickly; some very interesting snapshots of life in iraq but overall felt very scattershot, lacking in direction and lacking cohesion; felt a bit pretentious and very bougie. Would give 3.5 stars if possible.

Brigitte Findakly is the daughter of a French Catholic woman and an Iraqi Orthodox Christian dentist who met and married while he was going to school in Iraq. They moved back to Iraq, where they raised their son and daughter. Brigitte relates her memories of growing up in Iraq in the 1950s-1970s, why the family eventually immigrated to France, and what it was like to visit Iraq afterward.This is arranged somewhat chronologically, but not completely. Sometimes Ms Findakly goes back and forth in time, and everyone once in a while she throws in an "In Iraq" page about some part of Iraqi culture that Westerners usually find different. The back and forth ebbs in time and the random appearance of the "In Iraq" sections really took me a while to get used to. I flipped back a few pages more than once in the first 1/3 of the book thinking I had missed something. If you approach this thinking that every spread is just one memory being randomly related and don't expect it to necessarily be carried further on the next spread this will be a better read. By the end I felt like I'd gotten used to the style, but I'm only giving the book 3 stars because of the flow issues. I almost put down the book; it was that bad. However, I think if readers are prepped that reading this is like sitting down to tea with your great aunt and you never know which memory she's going to share, you'll be able to avoid the issues I had with this. I did really find it quite informative on the political situation in Iraq. I had no idea how many times power changed hands in the 1960s! It was eye-opening to see how drastically culture there has changed just in the past 50 years. It was fascinating to hear about Brigitte Findakly's culture shock going back to Iraq just 20 years later and discovering she could no longer wear what she did before and that foods they took for granted in the past were now impossible to get. So overall, I wish it had been put together in a smoother format but I adjusted, and I found the historical information fascinating, so if you can get the rhythm it is worth the read.Notes on content: No language issues. No sex scenes. There is one scene that talks about how Palestinian refugees at one time came around and showed they were naked under their robes to get handouts, this is partly shown in the illustration (due to the illustration style not super provocative, though the illustrator did include hints of one bare breast). There's another page talking about how Iraqi medicine handed out injections for everything and sometimes even had patients line up and get shots all in a row. There's an illustration showing a line up of guys with bare butts waiting for injections (again, due to illustration style not super provocative). The deaths in military coups and later on in battles are mentioned, shootings are shown with some red spots on the wall and people on ground. One coup hanged all the guys they ousted and this is shown in the illustration. Again, the illustration style helps this not be very graphic, but it is there. Emotional states of soldiers from battles is also mentioned because of all the deaths they witnessed. Mass killings of Jews and later targeting of Christians is mentioned but not shown. Further wars are mentioned but not shown.

This graphic novel tells the story of the author’s childhood as a girl in Iraq. The book shares small glimpses of life in Iraq, schools, families and more. It is a lovely way to see a culture. Unfortunately, there is also state control as Saddam Hussein comes into power and things change. Throughout the book, there is a sense of history being shared as an adult, of a beloved land lost and a country so changed it is almost unrecognizable and yet filled with family still. The art is playful and light, a strong contrast to the often heavy subject matter. Religion plays a large part in the book as the author grew up in a Christian family in an Arab part of the world. Deftly written, this book invites readers into the author’s story and leaves them with a much deeper understanding of Iraq as a result. Appropriate for ages 12-14.

A powerful, well-told account. Very much worth reading.

I bought this at Comic-Con for my kids, and they love it. They're ages 10 and 13 and both have read it over and over again. I wish this had been marketed to kids because it has really touched mine.

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Rabu, 16 Mei 2012

Get Free Ebook Merriam-Webster's Easy Learning Spanish Idioms (Spanish and English Edition)

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Merriam-Webster's Easy Learning Spanish Idioms (Spanish and English Edition)

Merriam-Webster's Easy Learning Spanish Idioms (Spanish and English Edition)


Merriam-Webster's Easy Learning Spanish Idioms (Spanish and English Edition)


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Merriam-Webster's Easy Learning Spanish Idioms (Spanish and English Edition)

About the Author

For more than 150 years, in print and now online, Merriam-Webster has been America's leading and most-trusted provider of language information. All Merriam-Webster products and services are backed by the largest team of professional dictionary editors and writers in America, and one of the largest in the world.

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Product details

Series: Easy Learning

Paperback: 256 pages

Publisher: Merriam-Webster, Inc.; Bilingual edition (June 1, 2011)

Language: Spanish, English

ISBN-10: 0877795649

ISBN-13: 978-0877795643

Product Dimensions:

5.1 x 0.7 x 7.7 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#661,679 in Books (See Top 100 in Books)

This book is great! It's really funny and has great illustrations in the chapters. The phrases also have cultural and background information about where the phrase is from.

I am a native Spanish speaker. The idioms in the book are very common in Spanish speaking countries, with the exception of some of them. I think it is a valuable tool to learn and expand your Spanish. With clear explanations and translations of the English ones. I would rather recommend it.

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Kamis, 03 Mei 2012

PDF Ebook Labor Rates for the Construction Industry With RSMeans Data

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Labor Rates for the Construction Industry With RSMeans Data

Product details

Paperback: 344 pages

Publisher: R S Means Co; Annual edition (December 19, 2018)

Language: English

ISBN-10: 194687261X

ISBN-13: 978-1946872616

Product Dimensions:

8.2 x 0.5 x 10.8 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,377,773 in Books (See Top 100 in Books)

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