Rabu, 02 Januari 2019

Free PDF Woodcut, by Bryan Nash Gill

Free PDF Woodcut, by Bryan Nash Gill

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Woodcut, by Bryan Nash Gill

Woodcut, by Bryan Nash Gill


Woodcut, by Bryan Nash Gill


Free PDF Woodcut, by Bryan Nash Gill

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Woodcut, by Bryan Nash Gill

Review

"A swell coffee table companion for hip young DIY-ers who cultivate a lumberjack look that says they've come straight from splitting firewood, the new book "Woodcut" is also likely to appeal to a much wider audience." -- Wall Street JournalIt's a strangely moving experience to flip through Woodcut (Princeton Architectural Press, $30), a book of Bryan Nash Gill's relief prints of tree-trunk cross sections, which the artist harvests from felled trees, cedar telephone poles and discarded fence posts in his native Connecticut. One is struck by how Gill's method - cutting blocks with a chain saw, sanding them down, burning them and sealing them with shellac - amplifies the events in the life of a tree: lightning strikes, burgeoning burls, insect holes and, of course, the aging process, evidence of which radiates out in transfixing patterns. Verlyn Klinkenborg , who also writes for The New York Times, describes these cross sections in the book's preface as "the death mask of a plant, the sustained rigor mortis" of maple, spruce and locust. They remind us, he says, that every biological form "possesses a unique footprint." --- T: The New York Times Style Magazine"With this mesmerizing series, Bryan Nash Gill doesn't just bridge the gap between abstraction and representation, object and subject-- he closes them. WOODCUT confirms Gill's place as one of the most inventive, inspired artists working today" -- Tod Lippy, Esopus magazine

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Product details

Hardcover: 128 pages

Publisher: Princeton Architectural Press; 1st edition (May 2, 2012)

Language: English

ISBN-10: 1616890487

ISBN-13: 978-1616890483

Product Dimensions:

8.4 x 0.9 x 9.4 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

56 customer reviews

Amazon Best Sellers Rank:

#374,734 in Books (See Top 100 in Books)

Gill's prints pass his personal, perhaps metaphysical relationship with the grain of each tree trunk or piece of wood cross section on to the viewer.  As you stare at the many circles, you find yourself entering into a sort of mental maze, asking some of the same questions Gill must have asked – how old was this tree, what caused the aberrations in circular patterns, what insect damage occurred, what are the coloration variations.Of course, one can look at these prints and simply be attracted by their abstraction and geometric playfulness.  To others, they are simply graphically pleasing. But what makes Gill's work special is the personal "records of my connection," as he expressed it.One might ask, wasn't he just copying? The answer, emphatically, would have to be "no." In every step Gill exercised his creative talent and artistic eye –  in the tree or board he chose, the particular crosscut he singled out, the painstaking way in which he prepared each surface, the ink used and the how he extracted the patterns, circle by circle. If you aren't able to purchase one of Gill's large monoprints, this book may be a good second option.

I bought this book after having viewed an exhibition of the artist's work. Like most books of this type, it serves as a record of the work and the process the artist used to create it. The actual prints, of course, are much larger and vivid than the reproductions in the book. Beyond that, the book goes into detail about the living history of the trees extracted from study of the cross sections portrayed in the prints. A good book to study on a cold winter night.

I really like the idea of this book, when I got it I was a little disappointed by the prints. I thought this was more of a coffee table picture book, there's a lot more text than I was expecting. That may be a silly complaint, I was just expecting more artwork inside. :)

love this book very much

Wish it was a larger format book. It's quite small for an art book, but love the woodcut prints.

Inspirational on many levels!

Purchased this for my landscaper of thirty years who knows everything about trees. He loved it.

One of my favorite books in my collection.

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